Video. 1a fleeting love.
Video. 1a fleeting love.
Video. 1a fleeting love.
Video 2. Bluer than a butterfly, pretty and fleeting. I wrote this on the taxi after leaving his house, when I heard my heart: ‘’you’re never gonna see him again.’’
Video 2. Bluer than a butterfly, pretty and fleeting. I wrote this on the taxi after leaving his house, when I heard my heart: ‘’you’re never gonna see him again.’’
Video 2. Bluer than a butterfly, pretty and fleeting. I wrote this on the taxi after leaving his house, when I heard my heart: ‘’you’re never gonna see him again.’’
Video.2
Video.2
Video.2
Video. 3a real love.
Video. 3a real love.
Video. 3a real love.
PROCESS
My videos begins with real moments of life reflection
—
voice memos, poetry, or diary entries
Simultaneously, I maintain an ongoing practice
of capturing everyday footage.
The final work emerges through:
when connections naturally arise between my written/audio reflections and captured footage,
I edit them together.
Or
I turn to Cinema 4D to construct custom visual worlds.
This allows me to create work
that remains grounded in the essence I wish to capture.
My videos begins with real moments of life reflection
—
voice memos, poetry, or diary entries
Simultaneously, I maintain an ongoing practice
of capturing everyday footage.
The final work emerges through:
when connections naturally arise between my written/audio reflections and captured footage,
I edit them together.
Or
I turn to Cinema 4D to construct custom visual worlds.
This allows me to create work
that remains grounded in the essence I wish to capture.
My videos begins with real moments of life reflection
—
voice memos, poetry, or diary entries
Simultaneously, I maintain an ongoing practice
of capturing everyday footage.
The final work emerges through:
when connections naturally arise between my written/audio reflections and captured footage,
I edit them together.
Or
I turn to Cinema 4D to construct custom visual worlds.
This allows me to create work
that remains grounded in the essence I wish to capture.